Beyond Canonical Langston Hughes

The students I teach are preparing to recite poetry as an end of semester project.  One poet whose work they can recite is Langston Hughes.  Some students are doing poetry I know well like “Po’ Boy Blues” or “I Too Sing America,” but others have made choices from deeper in The Collected Works of Langston Hughes.  

As a result I was happy to rediscover works like “Negro” with its historical resonances. The fact we just looked at imperialism in the Congo makes the 5th stanza quite apropos.

I am a Negro:
Black as the night is black,
Black like the depths of my Africa.

I’ve been a slave:
Caesar told me to keep his door-steps clean.
I brushed the boots of Washington.

I’ve been a worker:
Under my hand the pyramids arose.
I made mortar for the Woolworth Building.

I’ve been a singer:
All the way from Africa to Georgia
I carried my sorrow songs.
I made ragtime.

I’ve been a victim:
The Belgians cut off my hands in the Congo.
They lynch me still in Mississippi.

I am a Negro:
Black as the night is black,
Black like the depths of my Africa.

On the other hand I am not sure how the recitation of the poem “Klu Klux” will go.  I will be checking with the student before the recitation to see about that last stanza and to see how much their research has led to an understanding of the text.
They took me out
To some lonesome place.
They said, “Do you believe
In the great white race?”
I said, “Mister,
To tell you the truth,
I’d believe in anything
If you’d just turn me loose.”

The white man said, “Boy,
Can it be
You’re a-standin’ there
A-sassin’ me?”

They hit me in the head
And knocked me down.
And then they kicked me
On the ground.

A klansman said, “Nigger,
Look me in the face —
And tell me you believe in
The great white race.”

 

Dancing Diversity: Ballet, Hip Hop, Jazz, Tap, Gymnastics to “Twist and Shout”

Staying home with my daughter today since school is cancelled, I watched her do her own dance steps to The Fresh Beat Band.  I got to see her combine moves from ballet and tap and jazz class, hip hop breakdancing spins learned at preschool, gymnastics moves improvised using my knees as uneven bars, and choreography from the Fresh Beat Band Show–the song being played “Twist and Shout.”

Not only was it fun to watch, but to stretch things a bit it was great metaphor for the mixing of different cultures and traditions into one uniquely American expression.  It was just like a Whitman poem but presented by an energetic preschooler.

The Fresh Beat Band–Kiddie pop but good for inspiring hybrid dancing

 

Poetry, Meaning, History: White Houses

Because the school at which I teach has a White House (named after Cleveland’s White family), I was thinking recently of Harlem Renaissance poet Claude McKay’s poem “The White House” and the difference between a house being called the White House because of color and the house being called that because White is a family name. I was also wondering how Barack Obama’s residence in the White House changes the meaning of the poem.

“The White House” by Claude McKay

Your door is shut against my tightened face,
And I am sharp as steel with discontent;
But I possess the courage and the grace
To bear my anger proudly and unbent.
The pavement slabs burn loose beneath my feet,
A chafing savage, down the decent street;
And passion rends my vitals as I pass,
Where boldly shines your shuttered door of glass.
Oh, I must search for wisdom every hour,
Deep in my wrathful bosom sore and raw,
And find in it the superhuman power
To hold me to the letter of your law!
Oh, I must keep my heart inviolate
Against the potent poison of your hate.

Dunbar’s “We Wear the Mask” Relevant Today

Professor Lester Spence

This morning I heard this exchange between host David Greene and Johns Hopkins Political Science Professor Lester Spence on NPR’s Morning Edition.   I could not help but hear the echos of Paul Laurence Dunbar’s poem “We Wear the Mask” from 1896.  The idea of the need for African Americans to constrain responses and emotions and put on a constructed facade resounds loudly over time.  The tone and context are different, but the ideas appear parallel.

NPR Transcript

GREENE: You said that the type of constraint that President Obama feels is a type of constraint that African Americans, like yourself, feel every day. What do you mean by that?

SPENCE: Well, so if you take that Trayvon Martin moment, right, and why so many people saw themselves at Trayvon Martin. Like, after we wrap this up, I’m going to go back to Hopkins and teach. Every moment I’m on that campus, I carry, kind of, the race with me. And that causes me to have to think about how I carry myself, given that there are not a number of – significant number of African Americans on campus anyway.

I have to make sure that I’m dressed appropriately, you know, that people know that I’m a professor, that I actually am supposed to there. I’ve actually had at least one incident of racial harassment on campus. Even as I felt I was being racially harassed, I had to be very, very calm. I had to use proper English. I couldn’t be upset at all for fear that they would use that anger against me and actually put my career in jeopardy.

“We Wear the Mask”

We wear the mask that grins and lies,
It hides our cheeks and shades our eyes,—
This debt we pay to human guile;
With torn and bleeding hearts we smile
And mouth with myriad subtleties,

Why should the world be over-wise,
In counting all our tears and sighs?
Nay, let them only see us, while
We wear the mask.

We smile, but oh great Christ, our cries
To thee from tortured souls arise.
We sing, but oh the clay is vile
Beneath our feet, and long the mile,
But let the world dream otherwise,
We wear the mask!

Kipling Meets The Blindside

Take the time to read “The White Coach’s Burden” by Dr. David J. Leonard.  This erudite piece on the NFL bounty scandal evokes the trope of the white savior coach (as seen in The Blindside and  Undefeated among others) and connects this trope to a classic Kipling poem.  The setting of the New Orleans Saints’ bounty hunting in the context of pop culture, sports and race is outstanding.

Rudyard Kipling, who knew about his NFL connection?

Walls and Borders; Frost and Theroux

Piotr Redlinski for "The New York Times"

In response to the excellent article by Paul Theroux “The Country Over the Fence” on his experience crossing through the border wall from Nogales, Arizona to Nogales, Mexico, I offer this poem by Robert Frost.

“Mending Wall”

Something there is that doesn’t love a wall,
That sends the frozen-ground-swell under it,
And spills the upper boulders in the sun,
And makes gaps even two can pass abreast.
The work of hunters is another thing:
I have come after them and made repair
Where they have left not one stone on a stone,
But they would have the rabbit out of hiding,
To please the yelping dogs. The gaps I mean,
No one has seen them made or heard them made,
But at spring mending-time we find them there.
I let my neighbor know beyond the hill;
And on a day we meet to walk the line
And set the wall between us once again.
We keep the wall between us as we go.
To each the boulders that have fallen to each.
And some are loaves and some so nearly balls
We have to use a spell to make them balance:
‘Stay where you are until our backs are turned!’
We wear our fingers rough with handling them.
Oh, just another kind of out-door game,
One on a side. It comes to little more:
There where it is we do not need the wall:
He is all pine and I am apple orchard.
My apple trees will never get across
And eat the cones under his pines, I tell him.
He only says, ‘Good fences make good neighbors’.
Spring is the mischief in me, and I wonder
If I could put a notion in his head:
‘Why do they make good neighbors? Isn’t it
Where there are cows?
But here there are no cows.
Before I built a wall I’d ask to know
What I was walling in or walling out,
And to whom I was like to give offence.
Something there is that doesn’t love a wall,
That wants it down.’ I could say ‘Elves’ to him,
But it’s not elves exactly, and I’d rather
He said it for himself. I see him there
Bringing a stone grasped firmly by the top
In each hand, like an old-stone savage armed.
He moves in darkness as it seems to me~
Not of woods only and the shade of trees.
He will not go behind his father’s saying,
And he likes having thought of it so well
He says again, “Good fences make good neighbors.”

 


Akron Poet Rita Dove Receives National Humanities Medal (Who Needs LeBron?)

One of my favorite poets, Rita Dove, from Akron just won the National Humanities Medal.  Here is one of her poems.  One must savor a star born in the area who actually wins and who doesn’t take her talent to South Beach.

“I have been a stranger in a strange land”

BY RITA DOVE

Life’s spell is so exquisite, everything conspires to break it.
Emily Dickinson

It wasn’t bliss. What was bliss
but the ordinary life? She’d spend hours
in patter, moving through whole days
touching, sniffing, tasting . . . exquisite
housekeeping in a charmed world.
And yet there was always
more of the same, all that happiness,
the aimless Being There.
So she wandered for a while, bush to arbor,
lingered to look through a pond’s restive mirror.
He was off cataloging the universe, probably,
pretending he could organize
what was clearly someone else’s chaos.
That’s when she found the tree,
the dark, crabbed branches
bearing up such speechless bounty,
she knew without being told
this was forbidden. It wasn’t
a question of ownership—
who could lay claim to
such maddening perfection?
And there was no voice in her head,
no whispered intelligence lurking
in the leaves—just an ache that grew
until she knew she’d already lost everything
except desire, the red heft of it
warming her outstretched palm.

Source: Poetry (October 2002).

Rita Dove receives medal from President Obama

“The New Colossus” (Statue of Liberty Poem) by Emma Lazarus

“The New Colossus” by Emma Lazarus

Not like the brazen giant of Greek fame
With conquering limbs astride from land to land;
Here at our sea-washed, sunset gates shall stand
A mighty woman with a torch, whose flame
Is the imprisoned lightning, and her name
Mother of Exiles. From her beacon-hand
Glows world-wide welcome; her mild eyes command
The air-bridged harbor that twin cities frame,
“Keep, ancient lands, your storied pomp!” cries she
With silent lips. “Give me your tired, your poor,
Your huddled masses yearning to breathe free,
The wretched refuse of your teeming shore,
Send these, the homeless, tempest-tossed to me,
I lift my lamp beside the golden door!”


I think in these times of political upheaval and mean spirited exclusiveness, it is worthwhile to go back in time and look at the text engraved  at our nation’s doorstep.