Listening to last week’s This American Life podcast “Switcheroo,” I noticed that the Philippines played a prominent role. First, the Philippines were the source of cheap labor in the story about outsourcing local journalism and reporting. The piece talked of how a company providing local news content has farmed out writing responsibilities to Filipino writers paid cents per article. Additionally, they did not get credit for the articles, instead having to select generic traditionally American sounding computer generated pseudonyms. This American Life also gave the writers a limited voice, reaching out to contact one but only quoting him saying a single word.
Second, in the final piece in the show, the Philippines were the source of a mail-order bride who did not take a maternal interest in her new stepdaughter. This mail-order bride later sued her stepchildren for possession of the family home when her husband took up with another Filipino bride and fled to the Philippines. The entire piece is a narrative from the stepdaughter and except for a brief fact checking epilogue, no other source is presented and the brides have no voice.
Taken together, the listener gets a view of the Philippines as a source of oppressed workers with limited options open to being exploited by Americans. Also, the stories reinforce the sense of Filipinos as low-cost laborers willing to make money in ways the average American would not accept. What listeners do not get is a sense of Filipinos as authors of their own stories, as speakers in their own voice.
I know this show was not meant as a piece on the Philippines, but it did strike me in a way as a microcosm of the history of American interactions with the Philippines, interactions that have involved imperial occupation and an unwillingness to listen to authentic Filipino leadership. See Stanley Karnow’s “In Our Image: America’s Empire in the Philippines” for details.





